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The Cleveland Museum of Art
Inside the East End of Nettley Abbey
Description
By the end of the 18th century, Britain’s medieval ruins had become popular tourist destinations and a rich source of inspiration for Romantic poets and painters, establishing a veritable "cult of ruins." Decaying Gothic architecture set in overgrown landscapes conjured thoughts of the transience of human ambition in the context of eternal nature. In 1755, the writer and Whig politician Horace Walpole described Netley Abbey: "The ruins are vast . . . with all variety of Gothic patterns of windows wrapped round and round with ivy—many trees are sprouted up against the walls and want only to be increased with cypresses! In short, they are not the ruins of Netley, but of Paradise." Michael Angelo Rooker’s drawing gives form to Walpole’s description of his magical visit to the ruined abbey.
Provenance
(sale, Christie's, London, November 16, 1965, no. 174); J. Dayes, Esq.; (sale, Sotheby's, London, November 21, 1984, no. 88); Harry and Nina Pollock, Cleveland Heights, OH; Painting and Drawing Society, Cleveland Museum of Art, Cleveland, OH, given to the Cleveland Museum of Art, Cleveland, OH; Cleveland Museum of Art, Cleveland, OH
Dimensions
23.5 × 30.2 cm
Movement / Period
Accession No
2005.199
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Michel Angelo Rooker (British, 1746–1801)
Drawings • England, 18th century • Harmonious Works & Contemporaries
Continuous Discovery