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Terminus, the Device of Erasmus
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Description

In the spirit of the Italian Renaissance, Erasmus of Rotterdam (c. 1466–1536), the celebrated Dutch humanist and scholar, embraced ancient Greek and Roman literature and incorporated much of its moral and ethical messages into his own work. Holbein here conflates Erasmus’s features with Terminus, the Roman god of boundaries, who defied Jupiter by maintaining his position atop Capitoline Hill. Erasmus adopted Terminus, along with the motto concedo nulli (I concede to no one), as a personal symbol for devotion and steadfastness.

Provenance

Charlotte Frank (London, England); Dr. and Mrs. Sherman Lee, by gift to the Cleveland Museum of Art, 1971.; The Cleveland Museum of Art, Cleveland, OH

Dimensions

21.6 × 21.6 cm

Accession No

1971.166

Curatorial Affinity Stream

Continuing the Universe of Hans Holbein the Younger (German, active England and Switzerland, 1497/98–1543)

European Painting and Sculpture • Germany • Harmonious Works & Contemporaries

Terminus, the Device of Erasmus by Hans Holbein the Younger (German, active England and Switzerland, 1497/98–1543) (c. 1532) | PublicArk | PublicArk