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Arm of Eve

Description

Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7. With extraordinary economy of means, using only black and gray ink and a limited amount of wash and gouache for shading and heightening, Dürer suggested the grace and balance of the complete human form in this composition of a disembodied arm and hand. Such a study of a hand in ideal proportions cannot help but suggest the hand of the artist, a self-referential nod to his own abilities.

Provenance

Joseph Grünling (1875-1845), Vienna (Lugt 1107).; Alfred Ritter von Franck (1808-1884), Vienna/Graz (Lugt 947); With Amsler & Ruthardt, Berlin; Ferdinand Meder, New York; his sale "with Mr. C. Klackner", New York, 1888; Edward Habich (1818-1901), Kassel; his sale, Gutekunst-Auction, Stuttgart, 27 April 1899, lot 236;; Graphische Sammlung Albertina, Vienna (property of Archduke Friedrich of Austria) (Lugt 174); Eugene Meyer (1875-1959), Washington, DC; with Arthur H. Harlow & Co., New York; with Walter Schatzki, New York;; Frits Lugt (1884-1970), Paris/The Hague; with Richard H. Zinser, New York.; Cleveland Museum of Art, Cleveland, OH

Dimensions

34.4 × 26.7 cm

Movement / Period

Drawings

Accession No

1965.470

Curatorial Affinity Stream

Continuing the Universe of Albrecht Dürer (German, 1471–1528)

Drawings • Germany, Nuremberg • Harmonious Works & Contemporaries