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Christ and the Virgin in the House at Nazareth
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The Cleveland Museum of Art

Christ and the Virgin in the House at Nazareth

Description

Stories of Christ’s childhood and adolescence became increasingly popular during the Counter-Reformation because they were easily understood by a broad public. Rather than taking a story from the Bible, Zurbarán appears to have invented this subject, in which Jesus pricks himself on a crown of thorns he is weaving, foretelling his later torment at the Crucifixion. Despite the grand scale and monumental figures, the work has remarkable intimacy and quietness, emphasizing such details as the Virgin’s tears.

Provenance

Probably the Count of Walterstorff [1755-1820]1; (Probably Walterstorff sale, Laneuville, Paris, March 26-27, 1821, no. 65, sold to Laneuville)1; Various private collections in France; (François Heim, Paris, sold to the Cleveland Museum of Art); The Cleveland Museum of Art, Cleveland, Ohio

Dimensions

165 × 218.2 cm

Accession No

1960.117

Curatorial Affinity Stream

Continuing the Universe of Francisco de Zurbarán (Spanish, 1598–1664)

European Painting and Sculpture • Spain • Harmonious Works & Contemporaries

Christ and the Virgin in the House at Nazareth by Francisco de Zurbarán (Spanish, 1598–1664) (c. 1640) | PublicArk | PublicArk