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The Cleveland Museum of Art
Christ and the Virgin in the House at Nazareth
Description
Stories of Christ’s childhood and adolescence became increasingly popular during the Counter-Reformation because they were easily understood by a broad public. Rather than taking a story from the Bible, Zurbarán appears to have invented this subject, in which Jesus pricks himself on a crown of thorns he is weaving, foretelling his later torment at the Crucifixion. Despite the grand scale and monumental figures, the work has remarkable intimacy and quietness, emphasizing such details as the Virgin’s tears.
Provenance
Probably the Count of Walterstorff [1755-1820]1; (Probably Walterstorff sale, Laneuville, Paris, March 26-27, 1821, no. 65, sold to Laneuville)1; Various private collections in France; (François Heim, Paris, sold to the Cleveland Museum of Art); The Cleveland Museum of Art, Cleveland, Ohio
Dimensions
165 × 218.2 cm
Movement / Period
Accession No
1960.117
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Francisco de Zurbarán (Spanish, 1598–1664)
European Painting and Sculpture • Spain • Harmonious Works & Contemporaries
Continuous Discovery