
The Cleveland Museum of Art
Saint John the Baptist
Description
This panel once formed part of an altarpiece painted for the Church of Saint Laurentius in Cologne. It originally comprised the reverse of the arrest of Christ, now in the Alte Pinakothek in Munich. Another grisaille panel representing Saint John the Evangelist, also in Munich, formed the exterior of the resurrection. The grisaille technique was a monochromatic method utilizing various shades of gray, often in imitation of sculpture, as is the case here. The illusionistic effect suggests a sculpture not set back in a niche, but clearly separated from it to enhance the three-dimensional appearance. Dieric Bouts was born in Haarlem in Holland, but was mainly active in Leuven in the South Netherlands where he was the city painter from 1468. This painting appears to be the work of a close follower.
Provenance
St. Lorenzkirche, Cologne (until 1818); Fochem coll., Cologne (1822, when the altar was divided); H. W. Campe, Cologne (Leipzig sale 1827); Duke of Anhalt-Dessau, Schloss Wörlitz and Dessau (1864, 1925); (Goudstikker, Amsterdam, 1928); Baron Thyssen-Bornemisza, Lugano (1930, sold 1948)
Dimensions
102.8 × 65.5 cm
Movement / Period
Accession No
1951.354
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Dieric Bouts (Netherlandish, 1415–1475)
Medieval Art • Netherlands, Leuven, 15th century • Harmonious Works & Contemporaries
Continuous Discovery