
The Art Institute of Chicago
Husking Bee, Island of Nantucket
Description
Eastman Johnson painted this composition in 1876, 100 years after the founding of the United States. The centennial fostered a sense of nostalgia among some residents as industrialization and urban growth rapidly transformed the nation. Husking Bee, Island of Nantucket depicts a seasonal gathering on the rural Massachusetts island. Community members work together to shuck corn and ready the harvest, a traditional activity that was far removed from daily life for many in the late 19th century. Johnson employed a warm palette and loose brushwork to describe this agrarian subject, presenting an uncomplicated vision of cooperation and closeness to the land.
Provenance
Eastman Johnson, New York, Jan-Feb. 1876 [lent to National Academy of Design 1876]. Napoleon Sarony (1821–1896), New York, by May 1878 [lent to Paris Exposition Universelle International 1878 and Chicago Inter–State Industrial Exposition 1882]. Potter (1826–1902) and Bertha Palmer (1849–1918; born Bertha Honoré, also Mrs. Potter Palmer), Chicago, 1889; by descent to his wife, Bertha Palmer, 1902 [lent to Art Institute of Chicago 1910]; by descent to her sons, Honoré Palmer (1874–1964) and Potter Palmer II (1875–1943), 1918; given to the Art Institute of Chicago, 1922.
Dimensions
69.6 × 138.2 cm (27 3/8 × 54 3/8 in.)
Movement / Period
Accession No
81564
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Eastman Johnson (American, 1824–1906)
Realism • Nantucket Island • Harmonious Works & Contemporaries
Continuous Discovery