
The Art Institute of Chicago
New England Scenery
Description
Although Thomas Cole is best known for his scenes of the American wilderness, he also rendered pastoral vistas of cultivated landscapes. This work depicts New Hampshire’s White Mountains, an area that Cole traveled to and painted on numerous occasions, as did other 19th-century landscape artists. The prominent church spire at middle distance emphasizes the role of religion in agrarian society and the glow of the low sun expresses a sense of optimism for a rural America. The painting conveys an ideal that was increasingly far from reality, however, as the United States was then being transformed by rapid urbanization and the Industrial Revolution.
Provenance
Thomas Cole, from 1839; W.F. Ladd, New York, around 1841; Charles Baker, New York, by 1853; Samuel Nickerson, Chicago, 1876; given to the Art Institute of Chicago, 1900.
Dimensions
57.1 × 46.7 cm (22 1/2 × 18 3/8 in.)
Movement / Period
Accession No
57163
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Thomas Cole (American, born England, 1801–1848)
Romanticism & Neoclassicism • New England • Harmonious Works & Contemporaries
Continuous Discovery