
The Art Institute of Chicago
Reliquary Casket of Saints Adrian and Natalia
Description
This rare casket was made to contain the sacred relics of Saint Adrian. It was fashioned like a miniature tomb, complete with a tiled roof and Romanesque columns. Adrian was revered as the patron saint of soldiers and a protector against the plague. A Roman officer in charge of the persecution of Christians, Adrian so admired the virtues of those whom he oppressed that he converted to their faith. After declaring himself a Christian, Adrian was arrested and brutally martyred in the early fourth century. Unflinchingly illustrated on the sides of this reliquary (and reinforced by the inscription) is the story of Adrian’s trial, his dismemberment, and the transport of his remains to a city near Constantinople by his devoted wife, Saint Natalia.
The casket’s design was hammered out from the reverse on thin sheets of silver, a technique called repoussé. The figures were reduced to simple, monumental forms composed of convex bulges, reflecting the style of Romanesque relief sculpture and manuscript illumination in northern Spain.
Provenance
Julius Böhler, Munich, by 1914 [see Gudiol 1914–15]. Harry Fuld (d. 1932), Frankfurt, by 1918 [see Swarzenski 1918]; by descent to his widow, Lucie Mayer-Fuld (d. 1966), Frankfurt, Berlin, and New York, 1932–42 [according to incoming shipping receipt in curatorial file]; on loan to museum starting October 17, 1942 [according to incoming receipt in Registrar's file]; sold, through Raphael Stora, to the Art Institute, 1942 [according to incoming shipping receipt, mentioned above].
Dimensions
15.9 × 25.4 × 14.5 cm (6 1/4 × 10 × 5 3/4 in.)
Movement / Period
Accession No
46230
Official Citations
Curatorial Affinity Stream
Continuing the Universe of León, Spain
Medieval Art • Spain • Harmonious Works & Contemporaries
Continuous Discovery