
The Art Institute of Chicago
Sketch for The Revolt of Cairo
Description
This is a preparatory sketch for a monumental painting depicting one of the bloodiest moments of Napoleon’s 1798 invasion of Egypt: the suppression of an uprising in Cairo. The conflict included a massacre in the Al-Azhar Mosque of Mamelukes, a military class of enslaved men who occupied much of the Middle East at that time. As there were no surviving eyewitness reports, Girodet was free to interpret the event as he wished, and, as a commission from Napoleon, the painting celebrates the French point of view. Throughout the work, Girodet perpetuates European fantasies of the Middle East as simultaneously opulent and brutal, lavishing attention on Arab and Ottoman turbans, luxurious fabrics, bare flesh, and gore.
Provenance
The artist’s studio, estate inventory, April 11, 1825, no. 107 [see Bajou and Lemeux-Fraitot 2002]; Girodet Sale, Paris, April 11, 1825, lot 17; sold for 2,850 francs to Jacobs [according to Voignier 2005]. Joseph Basile Ducos; sold Paris, December 18, 1837, lot 18. Sale, Hôtel Drouot, Paris, March 25, 1987, lot 37; sold to Galerie Charles Ratton-Guy Ladrière, Paris; sold to Richard L. Feigen & Co., New York by 1999 [according to Jean Christophe Baudequin’s email of July 27, 2006, copy in curatorial file]; sold to the Art Institute, 1999.
Dimensions
30.8 × 45.1 cm (12 1/8 × 17 3/4 in.)
Movement / Period
Accession No
152851
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Anne-Louis Girodet de Roussy-Trioson (French, 1767-1824)
nineteenth century • France • Harmonious Works & Contemporaries
Continuous Discovery