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Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan
The Art Institute of Chicago

Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan

Description

Joshua Johnson portrayed his fashionably dressed sitter Elizabeth Beatty wearing a circlet of glass beads that accentuates her brown hair and gray eyes. The child’s clothes are equally elegant: she sports a high-waisted, white-muslin gown and holds a brightly colored strawberry, a delicacy often featured in the artist’s portraits. Johnson was the first known Black painter to gain professional recognition in the United States. Listed in the 1816 Baltimore city directory as a “free householder of Colour,” he had been freed by his enslaver (and father) around 1782 after apprenticing as a blacksmith. Described as “self-taught” in a newspaper advertisement, Johnson attracted local patrons among the city’s artisan and middle-class families.

Provenance

Elizabeth Grant Bankson Beatty (1775–1851; previously Elizabeth Grant Bankson Wilmans) and James Beatty (1770–1851), Baltimore, MD; by descent through the family to Hugh Purviance King (1872–1966), Long Island City, NY, by 1966 [this and the following according to gallery invoice; copy in curatorial object file]; by descent to his daughter, Frances Cary Montgomery (1911–1988; born Frances King, also Mrs. Hugh C. Montgomery); by descent to private collection, Tennessee, by 1998; with Washburn Gallery, New York, by 1998 [incoming receipt, RX21976, May 21, 1998; copy in curatorial object file]; sold to the Art Institute of Chicago, 1998.

Dimensions

82.9 × 72.8 cm (32 5/8 × 28 5/8 in.)

Accession No

150054

Curatorial Affinity Stream

Continuing the Universe of Joshua Johnson (American, c. 1763–after 1825)

Romanticism & Neoclassicism • Baltimore • Harmonious Works & Contemporaries