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The Art Institute of Chicago
Moulin de la Galette
Description
With this painting of the dance hall known as the Moulin de la Galette, Henri de Toulouse-Lautrec established his reputation as the chronicler of the Montmartre district’s famed nightlife. A wooden barrier bisects the composition, dividing the frenzied action of the dance floor in the background from the stillness of the women waiting in the foreground. Toulouse-Lautrec used turpentine to thin his paint and applied it in loose washes, a technique known as peinture à l’essence. The result is a sketchy style that conveys both the immediacy of the artist’s observations and the tawdry atmosphere of his subject.
Provenance
Joseph Albert. Mme Montandon, Paris, by February 1890. Paul Gallimard, Paris. Paul Rosenberg by 1924 [see Chicago 1924/5]; Annie Swan Coburn (Mrs. Lewis L. Coburn), Chicago; bequeathed to the Art Institute of Chicago, 1933
Dimensions
88.5 × 101.3 cm (35 7/8 × 39 5/8 in.)
Movement / Period
Accession No
14664
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Henri de Toulouse-Lautrec (French, 1864–1901)
Post-Impressionism • France • Harmonious Works & Contemporaries
Continuous Discovery