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The Abduction of the Sabine Women
The Art Institute of Chicago

The Abduction of the Sabine Women

Description

Perhaps the most acclaimed and well-traveled artist in Italy at the end of the 17th century, Luca Giordano first emulated, then transformed the styles of numerous celebrated artists, including Peter Paul Rubens. Giordano’s artistic studies informed this monumental depiction of the myth of the founding of Rome. The Romans, plagued by a shortage of brides, invited the neighboring Sabines to a festival and then violently kidnapped their young women. Using the rapid, bold brushwork that earned him the nickname Luca fa presto (Luca paints quickly), Giordano wove vivid gestures and compositional inspiration from earlier treatments of the subject into one of his most theatrical and geometrically complex works.

Provenance

Purchased in the early twentieth century by Georges de Branconier, Brussels [letter from Yvan Cruysmans, dated July 24, 1991, in curatorial file]; Madame Georges de Braconier (née Comtesse d’Hemricourt), Brussels, until 1950s [see letter cited above]; Jean Cruysmans (died 1970), Brussels [see letter cited above]; Cruysmans family, Brussels [see letter cited above]; offered for sale, Sotheby’s, London, March 19, 1975, lot 76; bought in; reoffered Sotheby’s, London, May 12, 1976, lot 102; Alfredo and Raquel Helegua, Washington; sold to the Art Institute, 1991.

Dimensions

260 × 295 cm (102 × 116 in.)

Movement / Period

17th Century

Accession No

111620

Curatorial Affinity Stream

Continuing the Universe of Luca Giordano (Italian, 1632–1705)

17th Century • Italy • Harmonious Works & Contemporaries

The Abduction of the Sabine Women by Luca Giordano (Italian, 1632–1705) (c. 1675) | PublicArk | PublicArk