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Description
Arnold Böcklin’s art had little in common with Impressionism or the academic art of his time. Instead, his depictions of demigods in naturalistic settings interpret themes from Classical mythology in an idiosyncratic, often sensual manner. In the Sea, part of a series of paintings of mythological subjects, displays an unsettling, earthy realism. Mermaids and tritons frolic in the water with a lusty energy and abandon verging on coarseness. Occupying the center of the composition is a harpplaying triton. Three mermaids have attached themselves to his huge frame as if it were a raft; the one near his shoulder seems to thrust herself upon him. The work’s sense of boisterousness is tempered by the ominously shaped reflection of the triton and mermaids in the sea and by the oddness of the large-eared heads that emerge from the water at the right. In addition to imaginative, bizarre interpretations of the Classical world, Böcklin painted mysterious landscapes punctuated by an occasional lone figure. These haunting later works made him an important contributor to the international Symbolist movement. They also appealed to some Surrealist artists, particularly Giorgio de Chirico, who declared, “Each of [Böcklin’s] works is a shock.”
This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.
Provenance
Kunsthandlung Fritz Gurlitt, 1884. Adalbert Mylius-Gemuseus, Basel, Switzerland, 1886 to at least 1927 [see Basel 1927]; by descent to Herr Simon-Mylius, Basel. Albert Vorster-Burckhardt, Basel from 1950, offered for sale, Sotheby's, New York, May 23, 1990, lot 127; bought in; sold by Vorster-Burckhardt through Sotheby's to the Art Institute, 1990.
Dimensions
86.5 × 115 cm (34 3/8 × 45 3/4 in.)
Movement / Period
Accession No
110507
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Arnold Böcklin (Swiss, 1827–1901)
19th century • Switzerland • Harmonious Works & Contemporaries
Continuous Discovery