A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris
Gigazoom • Double-Tap or Pinch to Zoom
100%

A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris

Created c. 1850

Curatorial Overview

As a young man, William Turner removed himself from the competitive London art world and returned to his native Oxford to teach and paint in solitude. This retreat may have been because he shared the same name as his contemporary Joseph Mallord William Turner, or it may have been prompted by his apparently retiring personality. He painted prolifically and traveled widely in Britain in search of subjects. This watercolor describes the dramatic mountain scenery of north Wales. The close-up view of the hillside and sheep in the left foreground juxtaposed with the sweeping vista of the mountains of Snowdonia invites a comparison of the minute with the infinite.

Dimensions{"sheet":{"height":0.489,"height_inch":19,"height_inch_fraction":0.25,"width":0.703,"width_inch":27,"width_inch_fraction":0.6875},"secondary support":{"height":0.495,"height_inch":19,"height_inch_fraction":0.5,"width":0.708,"width_inch":27,"width_inch_fraction":0.875},"mounted":{}}
OriginEngland, 19th century
Accession No.2010.147
Credit LinePurchase from the J. H. Wade Fund
Curatorial Affinity Stream

Continuing the Universe of William Turner (British, 1789–1862)

Drawings • England, 19th century • Harmonious Works & Contemporaries