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Portrait of Ernestine Nadar, the artist's wife, wearing fur stole
Created c. 1880–83
Curatorial Overview
“This striking and unusual uncut sheet of carte-de-visite exposures was taken by one of France’s most successful early portraitist photographers, Nadar. His wife Ernestine frequently modeled for him, including when he tried out new equipment or processes such as these gelatin silver prints. These portraits seem to be an intimate, direct exchange between sitter and camera, wife and husband.”
Dimensions{"overall":{"height":0.108,"height_inch":4,"height_inch_fraction":0.25,"width":0.219,"width_inch":8,"width_inch_fraction":0.625}}
OriginFrance
InstitutionThe Cleveland Museum of Art
Accession No.2021.67
Credit LineGift of Michael Mattis and Judith Hochberg
Curatorial Affinity Stream
Continuing the Universe of Nadar (French, 1820–1910)
Photography • France • Harmonious Works & Contemporaries
Continuous Discovery