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Curatorial Overview
“Generally considered Giovanni Baglione’s most accomplished painting, this work is his first known “Caravaggesque” picture—that is, one that incorporates the innovative use of realistic figure types and dramatic lighting favored by the painter Caravaggio beginning in the late 1590s. Saint Francis swoons in ecstasy into the arms of an angel after meditating on the instruments used to torture Jesus, presented by another angel on the left. Baglione’s brief Caravaggesque phase ended after 1603, when, in an infamous trial, he accused Caravaggio of slander for having distributed a series of malicious poems about him.”
Object Details
MediumOil on canvas
Dimensions155.3 × 116.8 cm (61 1/8 × 46 in.)
Archive / MuseumThe Art Institute of Chicago
Credit LineBequest of Suzette Morton Davidson
Curatorial Affinity Stream
Continuing the Universe of Giovanni Baglione (Italian, 1566–1643)
17th Century • Italy • Harmonious Works & Contemporaries
Continuous Discovery