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Curatorial Overview
“A pinnacle of sculpture in the generation after Michelangelo was Giambologna’s Abduction of the Sabine Women, depicted here in a contemporaneous print by Andrea Andreani. Giambologna created a twisting harmony of three forms that capture the narrative of a Roman male abducting a Sabine woman and vanquishing a Sabine male below. Giambologna’s sculpture was installed in Florence in the public piazza near Michelangelo’s David.”
Object Details
Mediumchiaroscuro woodcut
Archive / MuseumThe Cleveland Museum of Art
Credit LineGift of The Print Club of Cleveland
Curatorial Affinity Stream
Continuing the Universe of Andrea Andreani (Italian, about 1558–1610)
Prints • Italy, 16th century • Harmonious Works & Contemporaries
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